EYE OF THE BEHOLDER

Elite Film AG

TITEL
Original
EYE OF THE BEHOLDER
Deutsch
Französisch
Italienisch

STARTDATEN
Schweiz
24.11.1999
Deutschschweiz
29.06.2000
Romandie
24.11.1999
Tessin
BESUCHERZAHLEN

Die aufgeführten Besucherzahlen stellen dar, was für diesen Film seit dem Starttag bei ProCinema gemeldet und erfasst wurde.

Schweiz
9'839
Deutschschweiz
6'613
Romandie
3'226
Tessin

CAST & CREW
Regie
Stephan Elliot
Produzent
N. Clermont; T. Smith
Drehbuch
Stephan Elliot
Musik
Marius de Vries
Schauspieler
Ewan McGregor
Ashley Judd
ZUTRITTSALTER SCHWEIZ

Seit 1.1.2013 werden alle Filme, welche in Kinos öffentlich vorgeführt werden von der "Schweizerischen Kommission Jugendschutz im Film" nach Alterskategorien eingestuft. Das Alter "Zugelassen ab" bedeutet, dass ein Kind/Jugendlicher durch das anschauen des Films keinen Schaden erleiden sollte. Ein Kind/Jugendlicher, welches(r) dieses Alter erreicht hat, wird alleine zugelassen. In Begleitung einer erziehungsberechtigten Person, kann dieses Alter um maximal zwei Jahre unterschritten werden (z.B. Zugelassen ab: 10, ein(e) 10-jährig(e)r wird alleine zugelassen. ein(e) 8-jährig(e)r wird in Begleitung einer Erziehungsberechtigen Person zugelassen.
"Empfohlen ab" bedeutet, dass Ein Kind/Jugendlicher den Inhalt des Films verstehen kann.
Weitere Informationen unter: filmrating.ch

Zugelassen ab
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Empfohlen ab
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INHALT

EYE OF THE BEHOLDER is a startling journey into obsession, the story of an intelligence agent so taken with a beautiful killer he cannot bear to apprehend her. Set in the surreal world of a high-tech voyeur, the tale follows him across the country as he embarks on a desperate quest for this enigmatic femme fatale.

Ewan McGregor stars as The Eye, a lonely, isolated British intelligence agent who has lost his wife and daughter, for which he blames his own unforgivable inaction. Yet detachment is part of the job.

The Eye's current mission is to track Joanna Eris (Ashley Judd), a woman suspected of blackmailing the son of a senior British official. But Eris is far more than a blackmailer. She is a seductive, shadowy master of disguises, a frenzied murderer, a lost orphan and an abject mystery whose rage is as fierce as her beauty.

The Eye cannot help but be fascinated by Joanna - especially when a surveillance photo of her seems to reveal the ghostly image of his long-lost daughter, whose absence haunts him. In his deepest fantasies, their two fates as lost souls are somehow connected. As he follows Joanna from murder to murder, the more The Eye finds that he needs to watch her. Not capture her. Not speak to her. But watch her, becoming inexorably more and more obsessed with what he sees. He shadows Joanna without ever letting her know he is there - except that sometimes unexpected turns of fate make it seem as if she has a guardian angel watching over her.

But the closer The Eye gets to Joanna's life, the more dangerous his fantasy becomes. Soon he begins to meddle in her existence, taking action, altering her fate. Yet to catch her would be to lose her, something The Eye cannot allow again in his life. So the odyssey continues . . . until the pursuer and the pursued find themselves on a perilous crash course.

BILDER